Friday, July 22, 2011

PANDORA has a Mobile Inventory For Sale

About a year ago I recommended to Ian Geller a proposal that would have provided additional revenue for Pandora.



I hope that one is possible and this Open Letter//Post should it find its way to Joe Kennedy and the Board of Directors of Pandora now that it is a publically traded company. We have a plan that would drive revenue and create a win win for the Entertainment Industry especially artists who would participate in a Transmedia Revenue Share opportunity that would also include Viewers under the WCN Transmedia Group's Interactive Technology to monetize streaming video so viewers can instantly purchase anything seen.

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Pandora Says Mobile Use is Exceeding the Demand for Advertising. Solution Offered by WCN Transmedia Group See Comments.

As Stock Prices Drop, Internet Radio Company Faces Concerns About Ability to Turn Popularity into Revenue

Published: July 22, 2011



 

Pandora Media Inc. CEO Joe Kennedy said the streaming-radio service isn’t finding enough advertisers to buy all the space created by mobile-phone users, underscoring concerns about its ability to convert popularity into revenue.”The sheer level of aggregate advertiser demand for mobile is limited,” said Mr. Kennedy. “Pandora is one of the top five players in mobile, so we generate a lot of inventory and are ahead on where aggregate demand is for mobile advertising.”


The online-radio company, which held its initial public offering last month, is getting most of its growth from users of mobile devices, such as smartphones and tablet computers. Sixty percent of Pandora listening comes from the mobile market, up from just 12% two years ago, according to the company.


Pandora isn’t profitable, with losses of $92 million since 2000, the Oakland, Calif., company said earlier this year. Pandora’s costs continue to grow because of higher licensing fees for the rights to music. Increasing mobile ad sales will be needed to help offset those expenses, said Rich Tullo, an analyst at Albert Fried & Co. in New York.


“They’re in a tight spot right now,” said Mr. Tullo, who recommends selling Pandora shares. “If your content costs are going to accelerate, then the management and monetization of your ad inventory is mission-critical in becoming a profitable company.”


When Pandora’s stock made its June 15 debut on the New York Stock Exchange, it joined a wave of internet businesses going public this year. Pandora’s shares fell 55 cents, or 2.9%, to $18.21 at 10 a.m. on the New York Stock Exchange today, and earlier dropped as much as 4.9% to $17.85. Before today, the stock had climbed 17% since the IPO.


Pandora generated $119.3 million last year from advertising, or 87% of its sales, and another $18.4 million from subscriptions to an ad-free version of the service and other revenue sources.


Brands such as Anheuser-Busch InBev‘s Budweiser, Yum Brands Inc.‘s Taco Bell and A&E Television Networks’s History Channel have run ads targeting Pandora’s mobile users. In all, marketers will spend $2.55 billion on mobile ads in 2014, according to New York-based research firm EMarketer Inc. That’s more than double the $1.1 billion in spending this year.


In the long run, Pandora stands to gain from advertiser interest in mobile, said James Boyle, an analyst at Gilford Securities Inc. in New York. “As advertising demand on the internet keeps surging and the logical ad demand for the explosive mobile-device universe also dramatically increases, the supply-demand equation should consequently shift, long term, in Pandora’s favor,” Mr. Boyle said in an email.


While Pandora already competes with Sirius XM Radio, a subscription-based satellite-radio service, it may face a bigger challenge from Apple and other established technology companies, which are investing in their own online-music offerings.


Startups such as San Diego-based Slacker Inc. and San Francisco-based Rdio Inc. also offer music through the internet. CBS Corp.‘s Last.fm competes in the market as well. Much of the growth from mobile advertising will come from small businesses looking to reach prospective customers when they’re nearby, said Rich Greenfield, an analyst at BTIG LLC in New York.


Pandora has more experience selling ads to bigger brands and may not be equipped to reach those smaller, local businesses, he said. “They don’t have a sales force to sell local ads the way your local radio station does,” said Mr. Greenfield, who recommends selling the stock. “We think it’s one of the biggest problems of the story.”


– Bloomberg News –

For Pandora to succeed which I pray it does because it is a awesome service it needs to diversify to include Monetized Streaming video. The Music Genome Projectthat fuels the innovation of what Panadora is can be applied to Music Videos that are monetized by yes guess who. WCN Trasnmedia Brandcasting Group.Joe I submotted this proposal to Ian Geller a year ago. Perhaps now is a time for a Strategic Alliance that would not only create revenue for mobile but for Pandora TV Everywhere.


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Thursday, July 21, 2011

Second Screen Opportunities For Advertisers

This is a must read article

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Second Screen Opportunities For Advertisers by Jonathan Weitz

 Repost From ONLINE  SPIN









Point-of-View



Second Screen Opportunities For Advertisers


by Jonathan Weitz, Monday, July 18, 2011, 6:17 PM









Transmedia Storytelling

Television viewing habits are constantly changing, creating new opportunities for brand marketers and their advertising agencies. Many viewers today are using the Web while watching TV, largely because of a tablet or a smartphone.The coexistence of a TV and these second devices enables marketers and advertisers to not only keep the attention of the target consumer, but to engage them

Television viewing habits are constantly changing, creating new opportunities for brand marketers and their advertising agencies. Many viewers today are using the Web while watching TV, largely because of a tablet or a smartphone.The coexistence of a TV and these second devices enables marketers and advertisers to not only keep the attention of the target consumer, but to engage them and continue the dialogue long after the 30-second spot is over.


The opportunities that have emerged with the greatest potential are social TV and synced apps, both allow brands to engage the viewer during the entire show time, rather than restricting themselves to the traditional ad spots.


Social TV, the integration of social networking and TV, make TV becoming a social experience tat can be used to enrich brand awareness and engagement. As a viewer sees the ad, they can tweet about the ad or update their Facebook status with what they liked about it. This creates a buzz among viewers in their social network reading and responding to these tweets and status updates.


A successful recent implementation of this was seen during Comedy Central’s Comedy Awards, which aired on multiple networks this past April and also streamed online. During the live broadcast, the producers displayed a hashtag in the corner of the screen while two comedians tweeted live along with the event.

The effort generated 21,000 tweets and the awards show was the top-rated show in its time slot for the coveted 18-34 group. Also in April, the hit Fox show “Glee” displayed the #Glee hashtag for the entirety of an episode. Expect to see more examples of this when hit shows emerge from the summer hiatus and begin airing new episodes this fall. Broadcasters will use new social media intelligence platforms like Trendrr to measure the success of these initiatives.


Synced apps, on the other hand, run parallel to a TV show on a smartphone or a tablet. Synced apps help foster brand engagement. By linking the second screen to the TV, additional content is made available through apps to the user to get him closer to the entertainment experience.


For example, “American Idol” is expected to launch a pilot program allowing users to log into their Facebook accounts and vote for their favorite singers in real time. And that’s just one of many examples. SecondScreen Networks, an ad network company, is synching TV

The effort generated 21,000 tweets and the awards show was the top-rated show in its time slot for the coveted 18-34 group. Also in April, the hit Fox show “Glee” displayed the #Glee hashtag for the entirety of an episode. Expect to see more examples of this when hit shows emerge from the summer hiatus and begin airing new episodes this fall. Broadcasters will use new social media intelligence platforms like Trendrr to measure the success of these initiatives.


Synced apps, on the other hand, run parallel to a TV show on a smartphone or a tablet. Synced apps help foster brand engagement. By linking the second screen to the TV, additional content is made available through apps to the user to get him closer to the entertainment experience.


For example, “American Idol” is expected to launch a pilot program allowing users to log into their Facebook accounts and vote for their favorite singers in real time. And that’s just one of many examples. SecondScreen Networks, an ad network company, is synching TV ads to digital ads.


Broadcasters and content producers are turning to popular discovery apps, like IntoNow and Shazam, to allow users to access additional content on their smartphones and tablets and interact with the shows they are watch as they watch them. New services like Zazum even make products that appear in TV shows recognizable to mobile devices, so viewers can make purchases on the spot. These tools aid in direct response advertising by interacting with the customer through second screens.


Apps not only act as a powerful feedback loop for advertisers, but also help in building revenue for programmers and help brands monetize ad inventory.


Second screen apps also help deliver targeted TV advertising — the demographic profile of audiences can be analyzed based on usage statistics to identify the target audience. Relevant advertising can help brands and ad agencies boost ad revenue by increasing real-time interactivity and can help in launching an effective national branding campaign.


The stage is set for second-screen marketing initiatives to take off. Viewers have the devices and the desire to participate, as evidenced by the results of early campaigns. A handful of progressive brand marketers have already embracing this new era and the associated opportunities.

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Social Media Marketing Revenue Predictions

WCN Transmedia Group predicts this number will go much higher for the USA and Globally much higher. Woo Hoo!! What do you Think?

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Social TV Marketing On Track For $12 Billion By 2020? by Dave Morgan,

Social TV Marketing On Track For $12 Billion By 2020?

Social TV Marketing On Track For $12 Billion By 2020?


by Dave Morgan, 6 hours ago
iPad is a Wi-Fi 64 GB version (another one beh...
I attended the Social TV Summit in Los Angeles yesterday. (Actually, it was held at the Bel Air Country Club, but that’s another story.) As the summit’s title suggests, it was a day spent listening and talking about how social media is intersecting, enhancing and altering television viewing, media and advertising. It was a great conference and hit a hot topic at exactly the right time.Noted media economist and co-host Jack Myers grabbed everyone’s attention with his opening remarks, boldly predicting that social TV marketing would be an $8 billion to 12  billion annual market by 2020. While I haven’t fully gotten my head around those numbers yet, Jack is a good friend and has been extraordinarily accurate in his macro market projections over the years, so I’m inclined to believe them, particularly when you consider them within the context of the $40 billion to 50 billion annually which he has previously forecast for all of social media marketing by 2020.Where will all of this money come from? Here are some of my thoughts:First, what is social TV? While I don’t think you can really nail down a great definition of social TV at this point, since it’s so nascent, I view it as all of the activity occurring at the intersection of social media and television devices and programming. It includes second screens used while watching TV, networked companion devices that support or relate to TV, social tools and applications on connected TVs, and all of the TV-related content and conversations on social media.TV viewing plus Web and social use is big. Users spend an enormous amount of time surfing the web while watching TV. 78% of users do both at least monthly, and one-third of all Web browsing occurs in front of a TV.Companion device usage while watching TV is big, too. 35% of tablet and iPad usage occurs in front of the television, and this is before we really have that many robust and specialized applications to truly enhance or support better TV viewing experiences. Many (including me) predict that app-enabled iPhones, tablets and iPads will be the dominant “remote controls” for home television in a few years.Strong measurable linkage between TV viewing and social media expressions. Companies like Blue Fin and TrendRR are doing incredible things bringing Web-like Big Data crunching visualization to TV-related social expressions. Now, marketers and their agencies can know exactly what and how many social expressions their TV ad impressions generate.Lots of new TV-related social tool.Check-in tools have become big in location based services. Similar tools are now available for TV viewing. Services like GetGlueand Miso are helping TV networks and programmers establish loyalty-based relationships with their viewers, enabling them to “check-in” while viewing, earn badges and even get show stickers sent to them in the mail.Will this add up to $12 billion annually in nine years? I don’t know, but I do think that it’s going to be really big. What do you think?
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COMMUNITY BLOCK PARTY IN HOLLIS QUEENS

Looking forward to stepping back to a Old Fashion Block Party with folks from St. Albans, Queens, Springfield Gardens, Laurelton, Queens Villiage Shout out if I missed you. Senator Malcolm A Smitt and LL Cool J Presents JUMP and BALL 7. Worth checking out this Summer.

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Senator Malcolm A. Smith and LL COOL J Presents JUMP AND BALL 7 in Hollis Queens “Lets have a Old School Block Party”

WCN Transmedia Group has learned that LL Cool J will join Senator Malcolm A. Smith for Jump And Ball 7.  In my home town of St Alban‘s and Hollis Queens.  The world will be taking notice soon at the innovation, creativity, comedy and global music from all the movers and shakers that come out of Queens, NYC. Baby. Family Get the word out that its time for what would appear an OLD SCHOOL BLOCK PARTY.  Volunteers Wanted, I bet Corporate Sponsors are Wanted.  Calling on Retailers bring your time talent and giveaways to make this a great event.  Now we all remember how we do this. Bring A Dish, Meet new and old friends and be prepared for the 2012 Election.  We all know that America is facing its greatest challenges.  It takes Leadership.  Its Time to learn and teach our Children about our heritage.   The United Nations adopted UN Resolution 64/169 The International Year for People of African Descent.   Yet Have you heard about this.  Do you understand what your Heritage is?  Its time for We The People to take a stand.  It’s time to go from CIVIL RIGHTS TO PLATINUM RIGHTS.  subscribe to this Blog to keep up with the latest information including the”2011 SONGS FOR AFRICA Tour” which will be brought to your by The Africa Heritage Society.  

Check out some of the greatest music on earth in this post and I hope at this event. LL Cool J Take it away!!




LL Cool J

Early life


LL Cool J was born and raised in Queens, New York City, the son of Ondrea (née Griffith) and James Smith.[2] He started rapping at the age of nine. His DJ later was known as Cut Creator. In his youth, LL Cool J performed in the church choir, participated in the Boy Scouts, and delivered newspapers. At age 16, by using a mixing table purchased by his grandfather at Sears,[3] Smith produced and created demos and sent them to various record companies, including Def Jam Recordings.[4] Under his new stage name, LL Cool J (Ladies Love Cool James),[5] Def Jam released his first record, the 12″ singleI Need a Beat“.[6] The single sold over 100,000 copies. The success of “I Need a Beat” helped lead to a distribution deal with Def Jam and Columbia Records in 1985.[7] Soon after, he dropped out of Andrew Jackson High School to record his debut album.

{{Main|Radio (LL Cool J al Radio was released to critical acclaim, as LL was one of the first rappers to use conventional song structure to make pop oriented rap.[8]I Can’t Live Without My Radio” and “Rock the Bells” were singles that helped the album go platinum with 1,500,000 sales.[citation needed]

Bigger and Deffer (1987)


In 1987, he released Bigger and Deffer which included “I Need Love“. Also featured on the album was “Go Cut Creator Go“, which pays homage to the DJ. The album sold about 2,300,000 copies.[citation needed] In 1998, The Source Magazine named it as one of the top 100 albums ever.[citation needed]


“I Need Love” was the second single from LL Cool J’s second album, Bigger and Deffer. The song, released in the fall of 1987, reached #1 on the R&B/Hip Hop charts, #14 on the Billboard Hot 100 charts, and #8 in the UK Singles Chart. The single won a Soul Train Music Award for Best Rap – Single in 1987.[2] “I Need Love” was ranked #13 on the 100 Greatest Rap Songs.[3]

LL Cool J in concert at the Arizona State Fair

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Wednesday, July 20, 2011

The Civil Rights to Platinum Rights Movement

World Colours Network Television and WCN Transmedia Group Chairman is proud to be named Media Spokesperson for the Africa Heritage Society's Civil Rights to Platinum Rights Movement. For Interviews email info@wcntv.tv

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The Africa Heritage Society launched CIVIL RIGHTS TO PLATINUM RIGHTS MOVEMENT In Celebration of UN Resolution 64/169 Event Photos Direct from South Africa

For Immediate Release:

Africa Heritage Society

Johannesburg, South Africa

July 17, 2011

Champion of Justice & Freedom Awards
On July 17th, 2011, the eve of President Nelson Mandela‘s 93rd Birthday The Africa Heritage Society presented the Champion of Justice and Freedom Award and launched The CIVIL RIGHTS TO PLATINUM RIGHTS MOVEMENT and the 2011 Songs for Africa Global Concert Series.

The Civil Rights to Platinum Rights Movement presented by International Goodwill Ambassador Oscar J. Webb has been created to “KEEP THE DREAM ALIVE” by creating jobs in Africa and America.

Click to See the PhotoStream

Over the next several weeks and months we will be releasing information to reconnect people of African Descent all over the world.  Lets examine what the UN Resolution means.
CIVIL RIGHTS TO PLATINUM RIGHTS, THE AFRICA HERITAGE SOCIETY AND YOU!!

Lets examine some Economic Realities staring in the United States of America.
So what is the plan you ask?
Start your profile today on My Afriface.com

http://www.myafriface.com/profile/JayOConner

Subscribe to the WCN Trasnemdia Group Blog Above

Look for future announcements

Corporations are Invited to Join the WCN Transmedia Brandcasting & Advertising Alliances
MORE INFORMATION COMING SOON

GET READY WITH YOUR SONG FOR AFRICA

IT’S HERITAGE TIME

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Sunday, July 17, 2011

Launching of the Civil Rights to Platinum Rights Movement

Congratulations to Goodwill Ambassador Oscar J. Webb of the Africa Heritiage Society for continuing the Dream of Dr. Martin Luther King Jr. Get the word out. Tweet, ReTweet, Post, Repost email. Tell the world that its Heritage Time.

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International Goodwill Ambassador Oscar J. Webb of the Africa Heritage Society Launches Civil Rights to Platinum Rights from Johannesburg South Africa

International Goodwill Ambassador Oscar J. Webb

On the eve of Nelson Mandela‘s 93rd Birthday International Goodwill Ambassador Oscar J. Webb received the “Champions of Freedom – Justice Democracy Award.” from the Africa Heritage Foundation.

Immediately upon receiving the award.  Ambassador unveiled THE CIVIL RIGHTS TO PLATINUM RIGHTS MOVEMENT and has invited ALL PEOPLE to Celebrate the Adoption of UN Resolution 64/169 proclaiming 2011 THE INTERNATIONAL YEAR FOR PEOPLE OF AFRICAN DESCENT

” WITH GOD ALL THINGS ARE POSSIBLE”  “Now is the time for people of African Descent to connect to the Heritage that is inherently ours. Although we were brought to America; we are heirs to the Natural Resources  of Africa. Now the plan is to obtain dual citizenship and claim what is ours”.  International Goodwill Ambassador Oscar J. Webb.  (Here is an excerpt of his presentation.  For the complete presentation contact info@wcntv.tv after subscribing to this blog.)
WCN Transmedia Group in associate with International Goodwill Ambassador also announced 2011 Songs for Africa a Global Concert Series to celebrate UN Resolution 64/169.  Artists interested in participating in the Concert and to get more information about being one of the Host Cities for a major A List Concert Tour email info@wcntv.tv.
For more information about sponsorships please also contact info@wcntv.tv and a complete proposal will be sent.  We are planning to launch the concert series in Johannesburg, Capetown & Durban and 20 US cities are under consideration with a special program for Historically Black Colleges and Universities HBCU’s who are interested in a Revenue Share opportunity and have the facilities to host between 15 and 30 thousand seats or more.
In November 2009, the UN General Assembly declared 18 July “Nelson Mandela International Day” in recognition of the former South African President’s contribution to the culture of peace and freedom.

General Assembly resolution A/RES/64/13 recognizes Nelson Mandela’s values and his dedication to the service of humanity, in the fields of conflict resolution, race relations, the promotion and protection of human rights, reconciliation, gender equality and the rights of children and other vulnerable groups, as well as the uplifting of poor and underdeveloped communities. It acknowledges his contribution to the struggle for democracy internationally and the promotion of a culture of peace throughout the world.

We are therefore inviting ALL ARTISTS FROM AROUND THE WORLD to participate in 2011 Songs for Africa.  We will be announcing a website soon where you can upload a video with your song for Africa and if chosen receive the opportunity to perform live at one of the Global Events that will take place each year celebrating Mandela Day while we connect Africans around the world to their Heritage.
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Saturday, July 16, 2011

The Shift of Content from Traditional TV to the Web

As Transemdia Brandcasting Catalyst I have been predicting that more content will be geared towards the Web. I think Google TV, Apple TV and ultimately Facebook TV could empower indpendent producers to create content which would allow for non intrusive product placement on the Web. Viewers will appreciate the limited commercial interuptions and invite advertisers by clicking on their products and services that are woven into the Transmedia Story.



It would appear Youtube may get out of the blocks first. Since the networks have all but tried to kill Google TV, the smart money is on the strategy for them to attract advertisers and viewers collaborations.

Your Transmedia Brandcasting Partner

YouTube’s New Sell: Want to Buy a Web Series for $3.5 Million? A must read Article on the Future of Television

WCN Transmedia Group has a Hunch about GoogleTV, Youtube and hope the message gets to the powers that be.    Take a look at this great video about how ideas are formulated and turned into viable business.  I think you will find it fascinating, then after reading the article take a look at my comments below.
Pursuing TV Dollars With Big-Money Projects From Howcast, Endemol, Ben Silverman‘s Electus and Others

Published: July 14, 2011

Published: July 14, 2011

Lady Gaga

  • And, most ambitious, a live Lady Gaga concert in New York proposed for 2011, streamed on the web through YouTube and Vevo. Price tag to sponsor the one-off event? Nine million dollars for a sponsorship along with Samsung, inclu



  • YouTube’s Premium-Content Strategy Starts to Take Shape

    Talks of Providing $2M-$5M Seed Funds to Agents and Producers Who Commit to Episodes



    YouTube has pitched advertisers on funding big-budget web shows featuring stars like Kobe Bryant, Lady Gaga and “Dancing with the Stars” host Brooke Burke, asking millions of dollars to make them happen.


    The pitches are part of YouTube’s foray into Hollywood for polished, TV-style web video that can attract the kind of advertisers that devote most of their ad budgets on TV. The concepts were pitched as branded entertainment, shows created for or in conjunction with advertisers. YouTube is separately trying to seed the market for professional web video by funding as much as $5 million in startup costs for producers to create YouTube content channels around advertiser-friendly categories like food, fashion, sports and comedy.


    The celebrity shows that YouTube recently proposed to advertisers — so-called YouTube Originals — would make the video site, best known for user-generated content and music videos, look more like a traditional TV network than ever before, according to pitch documents obtained by Advertising Age.


    For instance:



    • “Dream Makers,” a series in partnership with “Big Brother” producer Endemol that would feature Los Angeles Lakers star Kobe Bryant rewarding “outstanding young people” with with the “dream of a lifetime.” YouTube is asking marketers for $1.7 million to exclusively sponsor a run of six to eight five-minute episodes.

    • “The Incubator,” a series from Ben Silverman’s Electus featuring 36 short webisodes with 10 entrepreneurs as they turn ideas into businesses. The price tag: $3.5 million for six months of exclusivity.

    • And, most ambitious, a live Lady Gaga concert in New York proposed for 2011, streamed on the web through YouTube and Vevo. Price tag to sponsor the one-off event? Nine million dollars for a sponsorship along with Samsung, including a presence on Lady Gaga’s YouTube channel and Facebook page.

      Some of the series pitched by YouTube will never see the light of day, or a studio may opt to get their own sponsorship and proceed on their own. Some have already come to fruition: Howcast’s “Chief Household Officer,” pitched by YouTube as a 10-week series for $2.8 million, is running on YouTube with a sponsorship deal from HP.


      An exec close to the deal said these series are distinct from the “channel” strategy being pursued by former Netflix exec and now YouTube VP-Programming Robert Kyncl. Rather, they are pitched as branded entertainment that wouldn’t get the go-ahead without a big-ticket advertiser attached.

    YouTube has been in the branded entertainment business for some time, but its involvement in selling the shows and working with Hollywood studios signal new ambition to win major marketing budgets. Indeed the price tags suggest YouTube is seeking higher ad rates than seen typically on TV. Assuming YouTube can deliver a hefty 100 million views to a series for $3.5 million in six months, that’s still a cost-per-thousand viewers of $35, higher than a typical TV ad rate of $20, and more in a league with Hulu, which sells TV spots on the web for $40.YouTube can’t be faulted for a lack of ambition. Top YouTube execs like to say they’re creating the next generation of cable TV, built and scaled for the web. But instead of 500-odd channels on TV, YouTube is making a play for the “next 10,000,” appealing to all sorts of niches and interest groups.

    Despite all that, outside executives involved in the talks argue that YouTube still isn’t thinking big enough. “I’d rather see them take a more aggressive approach, and get brands involved earlier, rather than re-create the cable model,” said one marketing exec involved in the talks.

    Key to driving views to shows, and revenue to producers, is a redesign of YouTube itself, which hasn’t changed much since it was founded in 2005. YouTube has already released an iteration of the redesign, Cosmic Panda, which owes a lot to Hulu in its look and feel. This relaunch, targeted for January, will redefine navigation to rely less on search algorithms and more on human curation of video.

    While not unheard of, YouTube’s asking price is significantly higher than the typical budgets for web series. If YouTube can get its asking price, it will change the economics of online video and add another significant player in the market, along with Hulu, Netflix, and perhaps soon, Amazon.

    “Every time you see a YouTube or Hulu or Netflix move into original content creation, it’s more opportunity for brands,” said one agency exec. “It’s a bigger playing field and more ways to reach an audience.”

    FEEDBACK COMMENTS

    Christian Busch Corporate Management (CEO, CMO, COO, CFO) NEW YORK, NY


    # 1 – Jul 15, 2011  10:24 AM




    Youtube currently does not have the ability to deliver 100 Million views against any show; the content needs to be excellent to get to a million or more views; I doubt there’s more than a handful of shows that have ever gotten past the 100 million mark








    Simon Fraser Creative/Production Toronto, ON


    # 2 – Jul 15, 2011  1:59 PM




    The content does need to be excellent if you’re trying to duplicate a TV experience on the Web. But the most successful web series, in terms of eyeballs and sustainability, come from those content creators who are creating content for the Web, not merely transferring TV content to the Web. That is where every million-dollar-budgeted TV network has failed and will continue to fail so long as they apply TV rules to the Web. Having built their audiences in concert with the building of their brands, those successful content creators – way more than a handful – regularly and consistently receive millions of views.








    charles allen Corporate Management (CEO, CMO, COO, CFO) new canaan, ct
    # 3 – Jul 15, 2011  1:03 PM




    Over the last 4 years YouTube had an opportunity to create something unique, but every time you turn around you see them once again trying to bring an old out dated Advertising System to the Internet.


    And while Madison Avenue may get off on 100 million people watching a webisode, I believe Real World Sales will always determine the real value of the content. This is why Social Reality Programming is the future!


    With Social Reality Programs YouTube would be able to offer major marketers 3 things:


    1. Viewers

    2. Simplification

    3. Real World Sales


    Just stop for a moment and ask yourself what does an Advertiser wants more than High Rates or Page Views? Real World Sales! Social Reality Programming permits you to place sales on the table first! Until advertisers start demanding some type of sales being apart of a Hollywood Venture, Madison Avenue, Yahoo, MSN, Google, Facebook, MySpace, Twitter and YouTube will continue selling them on Social Buzz, Page-views, Click-thru’s, Email Blast and Banner Ad’s that hold little value.


    And believe it or not YouTube is running out of time! Other than Music Videos & Movie Trailers there’s nothing original about the content on YouTube. And the system they are trying to build creates a secondary risk for them?


    Now which one of these projects do you think will generate any type of real world sales for an advertiser?


    1. Dream Makers

    2. The Incubator

    3. Lady Gaga concert in New York


    None of them! For $2.8 million YouTube should be offering a Advertiser about $20 million in Direct Sales from their investment. And for a $9 million they should be offering a advertiser about $50 million or more in direct sales from their investment.


    Charles Allen

    Co-founder

    Moviegazoo.com

    Why Go Alone?


    Todd Koerner Corporate Management (CEO, CMO, COO, CFO) Los Angeles, CA


    # 5 – Jul 15, 2011  3:52 PM




    Until there is a critical mass of internet-connected televisions, thus turning a lean-forward technology into a lean-back technology, this will remain an elusive goal.


    Jay O’Conner Duluth , ga




    @Charles Great post and spot on Real World Sales with a customer conversion rate that can be traced back to the Advertising Return on Investment. This is a very important article for YouTube to see and understand. I know Google hires the brightest minds and sometime the more success you have in one area a company forgets how to step back look at the opportunity that Streaming Video represents. Acknowledge and understand that Compelling Content is King, and start using Google TV to create a viable challenge not only to Apple TV or Facebook TV But let’s connect all the dots. Transmedia Brandcasting is the answer and Charles all those areas are covered especially the last one. Click and Buy is here and there are several companies scrambling to position. I know because I have been studying this for more than 5 years for the launch of World Colours Network Television. WCNTV understands that Content must be compelling even event driven in Fashion, Music and Sports. Not to do a commercial for WCN but rather Transemdia Brandcasting is the understanding the art of receiving a invitation from a FAN AND ARTIST to allow the Brand to pass three tests. Is it cool, Can I trust it will do me no harm, and Can I recommend this to others.

    I look forward to further comments to this post and the opportunity to monetize streaming video. God knows we are tired of paying for Reruns and Commercials which is all that seems to be on existing traditional TV.
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